Delaunay, Robert
French Cubist Painter, 1885-1941 French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life,
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Delaunay, Robert Delaunay, Robert oil painting


Delaunay, Robert
1911-23, oil on canvas, The Art Institute of Chicago.
Painting ID::  18981 		Delaunay, Robert
Delaunay, Robert
1911-23, oil on canvas, The Art Institute of Chicago.
   
   
     
Delaunay, Robert Simultaneous Windows on the City (mk09) oil painting


Simultaneous Windows on the City (mk09)
1912 Oil on canvas and wood (painted frame),46 x 40 cm Hamburg,Hamburger Kunsthalle
Painting ID::  21649 		Delaunay, Robert
Simultaneous Windows on the City (mk09)
1912 Oil on canvas and wood (painted frame),46 x 40 cm Hamburg,Hamburger Kunsthalle
   
   
     
Delaunay, Robert Simulaneous Contrasts Sun and Moon (mk09) oil painting


Simulaneous Contrasts Sun and Moon (mk09)
c 1912/13 Oil on canvas,diameter 134.5 cm New York,The Museum of Modern Art
Painting ID::  21651 		Delaunay, Robert
Simulaneous Contrasts Sun and Moon (mk09)
c 1912/13 Oil on canvas,diameter 134.5 cm New York,The Museum of Modern Art
   
   
     
Delaunay, Robert Homage to Bleriot (nn03) oil painting


Homage to Bleriot (nn03)
1914 Watercolour on paper 78 x 67 cm 30 3/4 x 26 1/3 in Musee d'Art Moderne de la Ville de3 Paris Paris
Painting ID::  23284 		Delaunay, Robert
Homage to Bleriot (nn03)
1914 Watercolour on paper 78 x 67 cm 30 3/4 x 26 1/3 in Musee d'Art Moderne de la Ville de3 Paris Paris
   
   
     
Delaunay, Robert Eiffel Tower or the Red Tower oil painting


Eiffel Tower or the Red Tower
nn07 1911 - Oil on Canvas
Painting ID::  31318 		Delaunay, Robert
Eiffel Tower or the Red Tower
nn07 1911 - Oil on Canvas
   
   
     
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     Delaunay, Robert
     French Cubist Painter, 1885-1941 French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life,

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